Indie duo MofoHari (singer and songwriter) and Vek Cmd (producer) debut their single "Teach Me." The ballad displays vulnerability sure to pull on heartstrings. The duo touch on relationship should haves and would haves, which are far too relatable. They vow to learn how to love, unconditionally and correctly. Stream "Teach Me" and connect below.
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Watch ThisIs50 Exclusive Interview With Rhyme Assassin- https://thisis50.com/2023/05/17/hottest-in-the-streets-ryhme-assassin/
X: Though I was from New York, I was actually
first introduced to what would become the culture of Hip Hop in Patillas,
Puerto Rico in 1977. I was visiting family and my cousin Flex was a member of
the Dynamite Kids, an Outlaw Rockin crew. I instantly fell in love with
everything about it. I get an adrenaline rush all over again just thinking
about it. Upon returning home to NY, I sought anyone that was into
Up-Rockin. I ended up getting down with the SepaRock City Crew. SepaRock was a
collective of MCs, DJs, and B-Boys in the South Bronx. They were all originally
from the West Indies. So I not only found a crew to throw down with, but I also
got to be around MCs and DJs doing their thing. I was also instantly drawn
towards the mic, but I loved Rockin so much, I stuck with it. We started
working on routines that we would perform locally and we also battled whoever
wanted it. I kept dancing till 1982/83. The last few years I was break dancing.
I started writing rhymes on the DL. I just pretty much naturally evolved. The
mic had a gravitational pull on me. I made my first professional demo as an MC
in 1983/84 while I was in California. I was out there breaking and the
opportunity presented itself. From that moment forward I considered myself
retired from break dancing. I divorced the floor and married the mic.
MJ: You are originally from Brooklyn, NY but
moved to Norway back in 2010. How is the Hip Hop scene overseas? How
does it differ from here in the States? Also, talk about
that major crossover and the decision that led up to it.
X: I was very fortunate to have started touring
in Europe around 2005. I was shocked at the Hip Hop scene out here. I
felt that the states being so oversaturated took the culture for granted
compared to Europe. In Europe, they appreciated every aspect of the culture
where everyone and their brother was out to be a rapper in the US and
everything else kind of got ignored. In Europe, they pay homage to the pioneers
and just have so much respect for the foundation that Hip Hop was built. France
and Italy had the best scenes in my opinion with Germany following close.
Touring through Italy and France felt like I was living Hip Hop in New York in
the 80s all over again. I eventually made my way to Scandinavia. I first rocked
in Denmark which also has a dope scene, then I got booked in Norway. There
was and still is something about Norway that just does it for me. Though the
Hip Hop scene in Norway falls short compared to other European
countries in my opinion, I fell in love with the
peaceful atmosphere and chill people. Coming from the hectic
background I was used to, Norway felt like I found paradise on earth. I
remember telling the promoter that booked me as I looked over a fjord for the
first time in my life, that if I lived in a place like this, I would become
Gandhi-like in no time. The opportunity presented itself for me to move to
Norway and it was a no-brainer. I was tired of the killing in the US on the
streets and by the states themselves. I was tired of being preyed upon by law
enforcement agencies. The stress was killing me for sure. Norway remedied all
that, and it healed many of the battle wounds I had sustained throughout my
lifetime.
MJ: You wear many hats as an MC, recording
artist, producer, graphic designer, and videographer, as well as CEO of your indie label. What are some challenges, if any, that come with being a
one-man army? What are the wins?
X: Great question. I love my freedom. Freedom
definitely comes at a high price though. The biggest challenge of being a
one-man army as you put it is time management. There just never seems to be
enough time in a day. I of course get/seek out help from time to time to
lighten the load but for the most part, I enjoy being independent. You have to
be good at rolling solo. Years spent in solitary confinement prepared me well
for that. The wins are first of all the freedom. Answering to no one but
yourself. Taking on all these different aspects truly hones one’s craft of
being a creator which is also a win. Not owing anyone anything is another huge
win. I remember signing my first deal back in the day. My crew all believed we
had made it when we got that check. I felt that yoke being locked around my
neck. For me, having less is actually having a lot more. I am not a commodity
anymore to anyone. Being this independent allows me to be a true creator. That
is the overall win for me.
MJ: Outside of music you are an activist, which
stemmed from your time in prison. During that time you lost out on
some major music deals. Upon your release, you went full throttle
into creating a lengthy music catalog including 2 albums, an EP, 20
singles, and 17 videos. Talk about the moment of empowerment you thrived on
fresh out of the gates, versus giving up on your career.
X: Though there was a time when I hoped to “make
it” I never really looked at what I do as a career. For me, this is a way of
life. Of course, getting paid to do what one loves is the ultimate goal for
many artists. But getting paid or not I love what I do. Not living Hip Hop was
never an option for me. During my last prison bid, I worked hard on
myself. I transformed myself into who I am today. I was inspired and motivated
by Malcolm X and how he transformed himself. I was so obsessed with the life of
Malcolm X for many years. Cats started calling me X while I was on Rikers
Island and I ran with it. I did look to get signed again when I first got out
from my last bid but as a solo artist. That was in 2002. I was quickly reminded
of how shady the industry is. I was spitting conscious lyrics and
they offered me a deal if I would rather write gangsta raps. I wasn’t about to
compromise myself so I walked. Meeting rappers such as Slug of Atmosphere,
Ill Bill, and Immortal Technique motivated me to be an independent artist. I
started out well, but relocating to Norway leveled me off for some years. Now
that I have my feet firmly planted, things are once again starting to pick up.
But I never stopped being/living Hip Hop no matter what.
MJ: This leads us to your new
single/video “Truth Be Told” which is taken from your
forthcoming album ‘Just Beats & Rhymes.’ You hold no punches when
it comes to exposing harsh truths on how Social Media brainwashes and turns
humans into robots, attacking capital punishment, calling out rappers who use
their music to glorify violence, drugs, and street life, and you even, so
boldly, exploit the music industry…Take us through the journey of “Truth Be
Told” from the thought to creation, to production, to the final canvas, and to
what audiences can expect to take away from the video.
X: When I get on a mic I feel I need to be
saying something. One of my biggest influences when it comes to being an MC is
Melle Mel. Melle Mel’s verses back in the day hit me so hard, that I can still
feel the impact. I can’t rhyme just to be rhyming. There are plenty of lyrical
acrobats out there that are way better at doing that than I ever will be. But
there aren’t many slanging truths. I always loved the MCs that challenged my
mind with what they were saying. Kool Moe Dee, KRS ONE, Rakim, Wise
Intelligent, Chuck D, Guru they made me want to seek knowledge and I did, and
still do. What better way to share knowledge and wisdom than in a rhyme? I once
lived blindly and I see multitudes of people living that way today and it’s
painful to watch. The microphone is where I speak the truth, you can take it or
leave it. During the pandemic, I got back into production. I had toyed around
with production back in the day. I actually sold my E-mu SP-1200 to help me
move to Norway. After producing a few tracks for the legendary Lifers Group
which is now out and doing their thing, I decided to self-produce an
entire album for myself. Truth be Told was one of the first tracks
that came to me. I love that you said I “boldly, exploit the music industry”.
That’s how it should be, and not the other way around. With so much information
out there I find it hard to believe how many artists are still willing to sign
deals. To be owned. The demise of so many rappers in the last few years was
definitely a motivating factor behind the track. I have also kind of grown
tired of hearing the coke and gun bars as well. I lived that life for real and
paid dearly for it. Our communities are nearly looking like when the crack
epidemic hit back when and I feel as though as artists we can be doing better.
Aside from what I have spent on equipment which isn’t much honestly, the
recording, release, and video for Truth be Told didn’t cost me a
dime. I want artists to know that. I shot the video using my old
Samsung Galaxy S9+. I edited it in an outdated version of Adobe Premiere Pro
that I jacked from a friend like 15 years ago. Making something from nothing is
what Hip Hop is all about. That’s what it was in the beginning and should still
be, not no million-dollar budgets. I hope that one person is moved by what I am
saying enough to take action at least in their own lives. If I move one person,
I am good.
MJ: Some might consider the video to be
controversial, some might consider the video difficult to digest, some might
want to sweep it under the rug, and for some, it might open eyes. What do you
think about the adverse reactions you might receive?
X: I am used to adverse reactions to all the
music I put out. For well over a decade I only spoke about the death penalty,
the prison industrial complex, and the crooked criminal justice system. I got
more hate mail than fan mail and more death threats than I could count on my
fingers and toes. Either way, it goes, I provoke thought and spark up dialogue.
I’m good with that. I think it was Plato that said “No one is more hated than
he who speaks the truth”. I believe our history reflects that. The bottom line
is I would rather be hated and despised for speaking the truth than be loved
for spreading lies.
MJ: Does “Truth Be Told” set the tone or theme
for the upcoming self-produced album ‘Just Beats & Rhymes?’
X: Actually it doesn’t. Though there are other
tracks that sit well next to Truth be Told, “Just Beats & Rhymes” goes in a
few different directions. A few tracks are older rhymes I dug up and felt they
still deserved to be heard as they are still very much so relevant. So I
created beats for them. The newer rhymes are definitely more about current
social issues and topics. I also have a couple that touches upon my personal
growth coming into Knowledge of Self. There are even a couple of tracks where I
am just having fun with it. But you will still find a gem within those tracks.
Overall the album is just what it says it is, Just Beats & Rhymes. No
collaborations, no fancy production. I even went as far as using no vocal
effects on nearly all the tracks. It’s just straight-up dry vocals not even a
hint of reverb. Just Beats & Rhymes will drop later this year.
MJ: As a vetted artist living his life true to
the culture, elements, and essence of Hip Hop for over decades, what are two
essential gems you can share with the newer generation of Hip Hop?
X: Two gems I would drop here is one: learn the
history of Hip Hop. Embrace the roots of this culture we all love so much.
Without roots, there will be no real growth. Knowing the true history of Hip
Hop is empowering to say the least. Secondly: be yourself. If you have yet to
learn who you truly are, work on that, and find out. Dig deep till you reach
the real you. Those in our culture that are now in their late 40s, 50s, and 60s
are still active, is because they are true to themselves. They are the ones to
look up to. It’s not about who has the biggest bank account trust me.
MJ: Is there anything else you would like to
share with the world?
X: In closing, I would like to say I love this
culture of ours. It has given me everything I lacked coming up. It gave me a
history, an identity, a purpose, and a reason to live. I don’t have a mansion
or fancy cars. I am far from being rich, but because of Hip Hop, I am as
wealthy as they come. I don’t have multitudes of fans, but I have some real
die-hard supporters and I love every one of them. By society’s standards, I
ain’t shit, never was and never will be. But “Truth be Told” I have lived Hip
Hop for over four decades. To me, in “My World”, I am a huge success. Never
allow others to define who you are, are what your success is, or should be.
Peace be unto you all.
Connect with
Capital X
https://www.capitalx.no
https://www.facebook.com/Capital.X/
https://www.instagram.com/capitalx305375/
https://twitter.com/CapitalX305375
https://www.tiktok.com/@capitalx305375
https://www.youtube.com/c/CapitalXTV
https://www.reverbnation.com/capitalxaka305375
https://open.spotify.com/artist/0Lfct6c2F9j7Ur6IAarZvN?si=qO7-bSbvQMWi7HOwDp8Zjg
CEO of Iconic Records Philadelphia, Bloody Knucklez, introduces
the world to Botswana producer Zeenation.
The double threat of record producer and songwriter, Zeenation
Sounds has been curating music since high school back in 2009 and continues to perfect
his craft, knocking out at least ten production samples daily. “My creative
process for making beats comes from inner pain, bringing out stress, and
pouring my heart out.” Now a
seasoned producer in the game, Zeenation’s expertise ranges from Hip Hop to
R&B, Pop to Electronic Dance, to Trap…he can’t be contained to one lane or
box.
After listening to his latest project “Go Get The Money”
it’s evident Zeenation’s talent is limitless when it comes to creating distinct
sounds and captivating vibes. Stream the album and connect with Zeenation
below.
“I’m always learning and evolving…striving to grow, I
promise to keep pushing the envelope…”
Facebook
https://www.facebook.com/zeenationsounds90
Instagram
https://www.instagram.com/zeenationsoundz/
Twitter
https://twitter.com/ZeenationSounds
Tiktok
FAT Fly Freddie Lee returns with his brand new single “The Lovecraft
Theory.” The Brooklyn based artist/producer/songwriter enlists TourneSoul and
Fancy La Flare along for the track, which was inspired by the HBO hit series Lovecraft
Country.
Lee encompasses a love for black culture and stresses how sometimes
it goes unrecognized or underappreciated. With invigorating production, captivating
lyrics, along with a heartfelt message, Fat Fly Freddie Lee and company deliver
a timeless gem. Watch the cinematic visuals and connect with Lee below.
Stream “The Lovecraft Theory” here
on Spotify
Instagram:
https://instagram.com/fatflyfreddielee?igshid=1gfswdeiafs3l
Facebook:
https://www.facebook.com/FATFlyFreddieLee/
Twitter:
https://twitter.com/FATFlyFreddie?s=09
